Practice of Fashion and Textile Education Journal

The Generalization of Muslim Wear to Modest Wear in 2010s Indonesia’s Fashion Trend

Tyar Ratuannisa — Sat, 10 Aug 2024 00:00:00 +0700

Indonesia is a country with the largest Muslim population in the world and with a diversity of languages, culture, and religious beliefs. From time to time, fashion trends in Indonesia are associated with the process of how an appropriate idea can be accepted and internalized through the filtration of Indonesian culture. Modest wear derived from Muslim wear does not only serve as a physiological fulfilment but also a need for identity. There are two types of modest wear users. The first ones are those who use it as an identity, they do not care about trends and will continue to use them. Meanwhile, the second ones are those who choose modest wear to keep up with the trend. This phenomenon raises an idea that, for a Muslim woman, the basis of clothing using modest wear is to use the hijab/jilbab/kerudung as part of the basic clothing. However, many also use head coverings temporarily and do not last long. Thus, this commitment to modest choices becomes a mere trend at one time or, in other words, the use of hijab does not represent their identity. This study investigates the change in Indonesia regarding hijab identity diachronically and the reinterpretation of modest wear in the 2010s accompanied by the determinant factors viewed from the synchronic aspects. It was revealed that modest wear was acceptable due to the dominant factors of trend drivers that are interconnected and interdependent, namely world events, economic conditions, social change, entertainment world, technological innovation, and fashion leaders in Indonesia.

Visual Study of Escapism in College Students as Inspiration Artwear Design

Marisi Napitupulu, Ardita Ayulestari Soemardi, Fairus Shinta — Sat, 10 Aug 2024 00:00:00 +0700

Escapism is the tendency to seek distraction or freedom from unpleasant reality through entertainment or other fantasies. Many people experience escapism, including students also do escapism activities when they feel bored. In this regard, a fashion design is needed as a visual form of escapism among students. The purpose of this fashion design is to describe the visual escapism of college students in a positive direction through fashion design and produce a fashion design in the form of artwear as an effort to direct student escapism in a positive direction. The method used is a qualitative method in the form of literature studies, interviews, and questionnaires. The design method used in this research is as follows: (1) escapism research as research material; (2) visual research in the form of artwear; (3) Moodboard and Colour Scheme; (4) Motif Sketches that symbolise escapism for students; (5) exploration, laser cut, layering, heating and foil painting techniques; (6) production stage; and (7) the final design result in the form of artwear clothing that symbolises visual art escapism for students. Based on this, the design results are obtained in the form of post-production which produces 2 (two) artwear designs using pvc, foil, crinoline, tulle, spandex materials and using heating, foil painting and layering techniques which produce 2 (two) artwear designs in the form of creative videos and catalogues through social media.

Penerapan Teknik Rajut Crochet Granny Square Pada Longtorso

Adinda Kurnia Putri, Cucu Ruhidawati — Sat, 10 Aug 2024 11:37:52 +0700

Crochet knitting is a handicraft product that uses yarn as the main material. Products that can be made are very diverse, one of which is longtorso clothing. The objectives of this research are (1) to create longtorso clothing that can be used as outerwear, (2) to create longtorso clothing that can be used as party clothing, (3) to attract young people to be interested in crochet knitting products. The research methodology used in this research is a three-stage methodology of craft creation which includes; (1) the exploration stage which includes finding the source of ideas, concepts, and the basis of creation, (2) the stage of designing the work design, (3) the stage of realization of the work. After going through these various processes, a longtorso product was produced that can be used on party occasions.

The story of Queen Tribhuwana Wijayatunggadewi As Source of Ideas for Designing Majapahit Batik Motifs

Aristya Rizky Rismawati Rismawati, Indarti Indarti — Sat, 10 Aug 2024 11:42:15 +0700

Queen Tribhuwana Wijayatunggadewi was one of the leading female rulers and played
a significant role in organizing and expanding Majapahit's territory. This research aims
to find out 1) the process of designing Majapahit batik motifs with the source of ideas
from the story of Ratu Tribhuwana Wijayatunggadewi, 2) the resulting Majapahit batik
motifs with the source of ideas from Queen Tribhuwana Wijayatunggadewi. The method
used is the Double Diamond Model which consists of 4 stages, namely discover, define,
develop and deliver. In the initial stage, summarize the sources of ideas to create a
moodboard with a predetermined theme which leads to batik motif designs. The second
stage is developing a moodboard that has been made into several stylizations. The third
stage is arranging the stylization into 6 batik motif developments. The fourth stage is the
process of producing a prototype of one of the Majapahit batik designs with the source
of the idea being Queen Tribhuwana Wijayatunggadewi. This research produced 6 batik
motif designs for the story of Queen Tribhuwana Wijayatunggadewi, and of these 6
designs, 1 design was selected which was realized in the form of batik cloth with the story
motif of Queen Tribhuwana Wijayatunggadewi with a cloth size of 200 x 115 cm.

lurik, corak kinanthi, kinanthi Application of Lurik Fabric with Kinanthi Pattern on Ready to Wear Dress “Kinanthi Asih”

Wulan Puspita Sari, Nisrina Juhaida Kamila, Raissa Naraya — Sat, 10 Aug 2024 11:45:02 +0700

According to the Big Indonesian Dictionary (1990), lurik is a woven fabric that has a pattern of lines. In the Complete Javanese Dictionary (Mangunsuwito: 2002) the definition of lurik is a pattern of lyrics or lorek-lorek, which means lines in Indonesian. In this research, we tried to apply kinanthi style lurik fabric with the source of idea from lapis Surabaya on ready to wear dress, especially with yellow brown color. The object of study was the fashion collection “Kinanthi Asih: a collection of lurik kinanthi ready to wear dresses”. The research approach used was a qualitative survey using an online questionnaire as a data collection tool. The respondents involved were young adult women aged 18 to 25 years old. The results showed that the fashion designs with lurik kinanthi motifs received a high positive response from the respondents, with the three designs evaluated falling into the category that met the respondents' expectations. This means that the designs successfully illustrate the harmony between tradition and contemporary in the Indonesian fashion industry.

PENILAIAN MOTIF BATIK BUAH KEMANG DAN MONYET SURILI SEBAGAI IDENTITAS PAGUYUBAN MOJANG JAJAKA KABUPATEN BOGOR

Sri Listiani — Sat, 10 Aug 2024 11:46:09 +0700

Penelitian bertujuan untuk menciptakan batik khas Kabupaten Bogor dengan motif kemang dan monyet surili sebagai identitas Paguyuban Mojang Jajaka Kabupaten Bogor dengan menggunakan warna-warna identitas Jawa Barat yang berasal dari warna-warna beberapa logo kota dan kabupaten di Jawa barat. Metodelogi penelitian yang digunakan pada penelitian ini adalah metode deskriptif kualitatif. Penelitian membuat lima motif tekstil dengan motif kemang dan monyet surili dengan penerapan warna identitas Jawa Barat. Prosedur pengumpulan data melalui tahap wawancara pada empat orang panelis ahli dalam bidang desain tekstil, seni, dan budayawan. Penilaian motif tekstil dari teori motif dengan aspek pemilihan warna, perulangan motif, proporsi, komposisi dan nilai seni yang terdapat pada batik motif kemang dan monyet surili. Hasil penelitian berupa deskripsi data menunjukkan bahwa dua diantara lima motif batik khas Kabupaten Bogor, yang berfokus pada motif kemang dan monyet surili telah sesuai dengan teori penilaian motif yang dinilai berdasarkan kriteria unsur motif sehingga motif batik ini sudah menunjukkan identitas paguyuban Mojang Jajaka Kabupaten Bogor.